This past spring, Yuzuriha commemorated the twenty-second anniversary of its launch as a means

of calling people’s attention to the wonderful world of the handicrafts of northern Japan. For me,

each one of the beautiful objects in the Yuzuriha Gallery and Shop seems to have a face that closely

resembles that of the artisan who brought it to life.

The opportunity to meet these master artisans over the years has made the often long and arduous

journeys to their studios very enjoyable experiences. Meeting them face to face, seeing how they live,

being enraptured by the love and care they pour into their work, and learning about not only their

craft but also how they relate to natural world around them have never failed to move me. This was

especially true when conversations turned to the subject of how one should live one’s life; I was

often overcome by a fervent desire to share their works with a broader audience.

While the role of Yuzuriha has been to act as a bridge between the creator and user (customer), I

have never felt completely confident about the “best way” to perform such a role. On the one hand,

artisans cannot be expected to cater to each and every one of my requests, and on the other, I have

sometimes been unable to fully convey my enthusiasm for the exhibited items to customers. I have

sometimes been led to tears over projects that did not go smoothly. But such hardships are only to

be expected in any human relationship. Eventually?I can now look back and say?they gave way

to the joy of helping bring happiness to both the creator and user and of being some use to society.

Nurtured in the unforgiving climate of northern Japan, these handicrafts have provided moral

support for me through the years, as they are the products of human ingenuity and expressions of

the indomitable will to live in the face of adverse conditions.

Each handmade product embodies not only the skills and ingenuity of the artisan but also his or her

soul. I cannot help but feel that each is deeply and generously imbued with the timeless and

unchanging dignity of the human spirit.

Many sadly remark that handicrafts will survive in Japan for only another 5 to 10 years. I am

reminded of an artisan who noted that an even greater joy than creating a beautifully polished

product is producing one that people will actually use. Unless these products continue to play a

useful role in people’s lives, there will no point in making them. Among the generally aging

population of artisans are some younger people who have hurled themselves into this fast-vanishing

world of handicrafts.

For my part, I would be delighted if I can contribute what little I can to keeping this important

industry and its refined cultural ethic of northern Japan and other parts of the country alive for

many more years to come.

Yoko Tanaka
Craft Shop Yuzuriha